Ansermetniac
2003-07-11 00:24:08 UTC
I know that a Doctoral thesis could be written on this but I have often
wondered why this is so. Music was always important to the Jewish people.
Yet
Mendelsshon
Myerbeer
Offenbach
Dukas
are the only pre 1900 Composers I can think of
And Mendelsshon is the only major on the list(although the Dinorah Overture
in Toscanini's hands can make me think otherwise) and there is a question of
his religion but not his bloodline.
Were Jews, as up until recently, the members of the orchestras? In the 60's
Kubelik counducted the NY Phil and asked for more juice from the orchestra.
But in his accent it sounded like Jews. The concertmaster(David Nadien?)
said, but Maestro, we are all Jews.
Were Jews allowed in the conservatories in Europe of the 1700-1800s? Was
it because Jews were more concerned with Folk Music(hasidic) which
eventually evolved into tin pan alley etc.
Anybody have any ideas. And rememeber-NO megillahs
Abbedd
wondered why this is so. Music was always important to the Jewish people.
Yet
Mendelsshon
Myerbeer
Offenbach
Dukas
are the only pre 1900 Composers I can think of
And Mendelsshon is the only major on the list(although the Dinorah Overture
in Toscanini's hands can make me think otherwise) and there is a question of
his religion but not his bloodline.
Were Jews, as up until recently, the members of the orchestras? In the 60's
Kubelik counducted the NY Phil and asked for more juice from the orchestra.
But in his accent it sounded like Jews. The concertmaster(David Nadien?)
said, but Maestro, we are all Jews.
Were Jews allowed in the conservatories in Europe of the 1700-1800s? Was
it because Jews were more concerned with Folk Music(hasidic) which
eventually evolved into tin pan alley etc.
Anybody have any ideas. And rememeber-NO megillahs
Abbedd